Many of my students come from other
dojos. They often tell me that they
‘worked out’ there, but were not really shown how to improve their
techniques. At our dojo, we pride
ourselves by actually teaching meanings of moves and how to improve one’s
techniques. Unfortunately, these
transfer students often bring baggage and bad habits from their old dojos with
them.
The other day one of my transfer
students was standing with his legs apart, back leg bent, arms crossed while I
was correcting him. Another senior
barked at him to stand straight. He did
so for five seconds and then crossed his legs, put his hands on his hips, and
tilted his head. The senior again
corrected him, which again lasted just a few seconds. When he broke form again I stopped my
correction and walked away from him. The
student (who by the way is 16 years old) asked if he did something wrong. I told him the same thing I’ve said hundreds
of times: “When you stand at attention, you pay attention. When your body wanders, your mind wanders.” I don’t fully blame the student. He spent 10 years at a dojo where they just
did general workout, didn’t really teach, so they paid no attention to details. Standing at attention (heisoku dachi) when being addressed is an important detail.
I’ve visited other schools. Very few of them let their students run amok,
but young children are not often held to the same standards as older
students. After all, they’re just little kids. The problem is that lack of discipline in
young years/low ranks often limits students’ progress at higher ranks when
they’re older. Advanced techniques are
built on one’s foundation, and poor control/discipline leads to a very shaky
foundation. To be fair, I’ve seen some
instructors who masterfully develop wonderful young children. Sadly, this is the exception, not the rule.
At our old Baldwin dojo, Long Island
Aikikai held class after we finished our Shotokan class on Friday nights. I’d often get to watch part of their class
before I left. The students would make
four or five pairs on either side of the mat.
It was interesting to see how, when Hagihara-sensei would correct one
pair, all students stopped what they were doing and stood at attention. I remarked that this must be out of respect
because Hagihara-sensei is a high ranking Black Belt (7th Dan). One of their Black Belt students told me that
was a small part of the reason. Similar
to the Judo principle of “Mutual welfare and benefit”, the threefold reason for
standing at attention was:
- *
Respect for the
sensei. His corrections should not have
to compete with nearby distractions.
- *
Respect for those
being corrected. Others working nearby
are a distraction to those concentrating on what’s being shown.
- * All students
can benefit from the correction, whether they themselves are making the same
error or not. It reinforces proper way
to perform the technique.
Respect in the dojo is a two-way
street. Senior students (sempai) should
keep junior students (kohai) in check, remind them how to behave, and to work
with them so both improve their techniques.
This helps build a positive big sibling/little sibling relationship
which benefits both. As sensei, I should
not have to remind a student how to behave in class. I will once, maybe twice, but then I’ll
simply walk away. If a student shows
disrespect with improper form or not paying attention, I stop
correcting them and spend time and energy on other students. If a student’s lack of attention is disrupting
other students from learning, the offender will be off to the side doing
push-ups while I work with those showing proper attitude. This may seem like punishment, but it gives
the student a chance to build his body while reflecting on his actions. People often confuse ‘discipline’ with
‘punishment’. A root word for ‘discipline’ is ‘disciple’: one who follows given teachings. We do nothing to ‘punish’ students, but
disciplinary actions allow students to adjust their thinking and continue
following our teachings along The Way
of Karate-do.
(Photo courtesy of Sensei Brenda Hill)
(Photo courtesy of Sensei Brenda Hill)