Thoughts, stories, and ideas from Sensei Steve Gottwirt

Thoughts, stories, and ideas from                  Sensei Steve Gottwirt
Some of these thoughts, stories, and personal history appeared in our newsletter, "Dō Gakuin News". Few members have been with us since our first issue in 1993. As such, ideas on this page may have been printed before, but are worth telling again.

Wednesday, August 26, 2009

Les Paul: Musician, Inventor, Martial Artist?


Les Paul, legendary musician and inventor, passed away this past August 13th at the age of 94. He was a personal hero of mine.

Paul became a professional musician in his early teens in Waukesha WI, playing Country & Western. He would listen to jazz coming from the big cities on a home-made crystal radio. In 1934 he arrived in Chicago, jamming with the top jazz musicians all night while performing ‘hillbilly music’ on the radio during the day (it paid better). He had become a recording artist for Decca records in 1936. After a short hitch in the Army during World War II, Paul went on to put out more than 40 hit records between 1945 and 1961. He and his wife Mary Ford had dozens of hits and their own television show. I, personally, am not a major fan of this style of music, but am awed by the artistry and skills he had.

In 1948, Paul and Ford had an auto accident that had the doctors ready to amputate Paul’s right arm. He told them to do whatever they could to save it. When they said the best they could do was fuse his arm he told them “point my hand to my belly”. He went on for the next 61 years as one of the top guitarists in the nation despite his fused arm.

Les Paul had always been fascinated by electronics and sound ever since making his own crystal radio as a boy. He invented and developed the solid-body electric guitar. After recording sessions with Bing Crosby, he presented Paul with a then-state of the art reel to reel tape recorder. Paul designed a way of adding a second recording head and, for the first time, dubbing multiple recordings on a single tape. He then went on to invent a multi-track recorder, the principle of which is still used in every recording studio today. A top line of Gibson guitars designed and refined in the 1950s and ‘60s bear the name ‘Les Paul’. Paul has been inducted into the Rock and Roll Hall of Fame for his invention and development of the solid-body electric guitar. He was also inducted into the Inventors Hall of Fame for his electronic breakthroughs.

In 1993, in order to keep himself mentally alert, active, and to keep limber despite crippling arthritis, Paul began performing on Monday nights at Fat Tuesdays in NYC. In 1999 he switched over to the Iridium Jazz Club where he performed most every Monday night for 10 years. I had the fortune of seeing him at the Iridium on several occasions. Interesting thing about his shows was that you would be disappointed if you expected a brilliant guitar performance, but would be delighted by his sharp, irreverent wit (which is right up my alley), wonderful stories, interaction with the audience and short bursts of good playing. As he got older, his playing deteriorated, but he was still the best 90-year-old arthritic guitarist I had ever heard. In the book, Living the Martial Way, by Forrest E. Morgan, Maj. USAF, he discusses the difference between ‘tactics’ and ‘strategy’, with ‘tactics’ being the various techniques in your arsenal, and ‘strategy’ being the plan in which you employ these techniques. A ‘Les Paul’ performance was a perfect example of these principles, as he would employ the proper strategy to best display his limited tactics.

Striving for excellence, training to hone ones skills to the highest degree, thinking outside the box, doing whatever it takes to achieve ones goal, employing the proper strategy to take best advantage of ones tactics - I propose that Les Paul displayed the finest martial arts skills. I will miss him, and always remember what he stood for.

Wednesday, January 28, 2009

An Old Friend Retires

This month saw the retirement of an old friend of mine - my Shureido obi. I have particular fondness for this belt, as it was the first one made specifically for Do Gakuin. I remember the excitement of ordering this belt directly from Okinawa and knowing the kanji would be correctly embroidered by natives, rather than the ‘hit and miss’ I’ve had on belts embroidered here by Americans. I have accumulated more than a dozen belts over the decades; some were awarded, others were gifted, and some were bought by me, but this one was one of my favorite obis.

The whole idea of an obi has different meaning in Okinawan and Japanese culture. The karate gi is based on peasant garb worn in Okinawa. They used a simple belt tied to hold the jacket closed and prevent items tucked inside the fold of the jacket from falling out, as well as hanging tools from the belt. The Japanese used a wider, more elaborate obi as part of their kimono attire. They would often attach a sagemono (a small purse-like pouch) on a cord supported by a netsuke (a small sculptured toggle) through the ties of a hakama (skirt-like pants) or obi.

In Karate, many Samurai characteristics are applied. Like the Samurai sword, the obi was considered to have a spirit and became synonymous with the wearer. To play with a Samurai’s katana was a high insult and was not tolerated. Similarly, the obi is treated with reverence; you do not play with it or let it drag along the ground. I have seen schools who routinely bow to their belts when putting them on, taking them off, or receiving a new rank. The obi also took on the significance of indicating rank. The student begins with a white belt, indicating purity of no knowledge. You never washed your belt, for it retained the remnants of your past training. Regardless of the kyu rank, the student wore a white belt until earning a dan rank and a black belt. Besides the esoteric reason for never washing your belt, it became darker with all the sweat, blood, and dirt ground into it over the years of training. A dark, dirty white belt showed that you’ve been around a while and are no novice. It was through the influence of Prof. Jigoro Kano, founder of Judo and head of the Kodokan, that Funakoshi O-sensei introduced brown belt for 3rd, 2nd, & 1st Kyu. In modern times, many different colors have been added to ranking systems to satisfy our modern impatience with wearing a white belt for years. Regardless of the individual school’s color system, they follow the basic rule of: the darker the color, the higher the rank (symbolic of the dirtier white belt). A Yudansha’s (Black Belt’s) ultimate goal is to revert to white belt - purity of complete knowledge. To this end, advanced black obis are covered in silk or satin, so that it wears off in time, allowing the white core to show through.

Another favorite belt is the ceremonial red and white renshi obi presented to me in 1997 by the Yudansha-kai (Black Belt panel) of Do Gakuin. This was done at my 30th Anniversary Tournament, along with awarding Yon Dan (4th degree) and the title ‘Shihan’. This presentation probably meant the most to me, coming from those who have known me and worked with me for many, many years.

My old Shureido is over 20 years old. Being in my mid-50s now, I decided to treat myself to what will most likely be the last obi I ever get in my lifetime, so I ordered a replacement Shureido directly from the manufacturer in Okinawa. My old friend may make a guest appearance every now and then for special occasions, but I look forward to many years wearing my new friend.